Art and Contemporary Critical Practice
Reinventing Institutional Critique
Gerald Raunig, Gene Ray (eds) London: mayfly 2009, 266 pages
'Institutional critique' is best known through the critical practice
that developed in the late 1960s and early 1970s by artists and
activists who presented radical challenges to the museum and gallery
system. Since then it has been pushed in new directions by new
generations exploring this legacy and developing the models of
institutional critique in ways that go well beyond the field of art. The
contributors to the eipcp-project transform as well as to the book that
assembles some of the most important theoretical contributions to the
project interrogate the shifting relations between 'institutions' and
'critique' proposing new concepts as 'monster institutions', 'instituent
practices' and 'institutions of exodus'.
With texts by: Boris Buden, Rosalyn Deutsche, Marcelo Expósito, Marina Garcés, Brian Holmes, Jens Kastner, Maurizio Lazzarato, Isabell Lorey, Nina Möntmann, Stefan Nowotny, Gerald Raunig, Gene Ray, Raúl Sánchez Cedillo, Simon Sheikh, Hito Steyerl, Universidad Nómada, Paolo Virno
http://mayflybooks.org
http://transform.eipcp.net
reviews
Ann-Cathrin Drews, parallax, 2011, vol. 17, no. 1, 89–100 (excerpts:
http://kunstwissenschaft.hfg-karlsruhe.de/sites/default/files/arbeiten/texte_auszuge_acdrews_2011.pdf)
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