is Professor of Visual Cultures, Goldsmiths
Rogoff writes extensively on the conjunctions of contemporary art with critical
theory with particular reference to issues of colonialism, cultural difference
and performativity. She is author of Terra Infirma - Geography's Visual Culture
(2000), editor of The Divided Heritage: Themes and Problems in German Modernism
(1991) and co-editor, with Daniel Sherman, of Museum Culture: Histories,
Theories, Spectacles (1994). Rogoff is director of an international AHRB
research project 'Translating the Image: Cross-cultural Contemporary Arts'
housed at Goldsmiths College.
Her current research project investigates
audience participation in contemporary art spaces, and questions whether
audiences are perfomatively able to become part of the very nature of the
books: Othering German Art - Haunts of Difference, University of California
Press 2005, Looking Away - Participations in Visual Culture, MIT, 2006